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{"id":215,"date":"2018-08-10T13:13:56","date_gmt":"2018-08-10T19:13:56","guid":{"rendered":"http:\/\/box2038.temp.domains\/~moffett1\/?page_id=215"},"modified":"2019-09-24T15:11:48","modified_gmt":"2019-09-24T21:11:48","slug":"mahonri-young","status":"publish","type":"page","link":"https:\/\/www.moffettfinearts.com\/mahonri-young\/","title":{"rendered":"Mahonri Young"},"content":{"rendered":"\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Mahonri Young<\/strong><\/p>

Pont Neuf<\/strong><\/p>

9.5″ X 11.5″<\/strong><\/p>

Etching<\/strong><\/p>

Signed LR<\/strong><\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Mahonri Young<\/strong><\/p>

The Last of the Old Grand Central<\/strong><\/p>

9.25″ X 12″<\/strong><\/p>

Etching<\/strong><\/p>

Signed LR<\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\"Mahonri\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Mahonri Young<\/strong><\/p>

Burro<\/strong><\/p>

12′ X 14″<\/strong><\/p>

Watercolor<\/strong><\/p>

Signed LR<\/strong><\/p>

Sold<\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/div>
Mahonri was born August 9, 1877 in Salt Lake City, Utah. At a young age, Mahonri<\/div>
fell very ill and his father gave him a lump of clay to help him through a long recuperation. He<\/div>
began modeling birds and other animals and his mother immediately recognized his natural<\/div>
ability. Of himself he said, \u201cI cannot remember when I did not want to be a sculptor.\u201d Although<\/div>
an accomplished sculptor, Young also found artistic expression in watercolor and oil paintings,<\/div>
etchings, and drawings. He was a prolific artist, never far from his studio and always with a<\/div>
sketchbook and pencil close at hand. Mahonri stressed the importance of \u201cseeing,\u201d and<\/div>
was himself a careful, lifelong observer. This, combined with his love of reading, contributed to a<\/div>
vast knowledge that provided fertile ground for his art. He lived a rich and varied life. As a child<\/div>
he lived in Salt Lake City at the Deseret Woolen Mills, owned and run by his father. He<\/div>
remembers,<\/div>
\u00a0<\/div>
I was thrown into the company of a number of workmen of many occupations and<\/div>
trades, . . . besides men and women working in the mill itself there was a complete farm<\/div>
with all the animals, horses, cows, chickens, that go with a working farm and besides an<\/div>
orchard. I was exposed to the influence of all these different and varied activities and<\/div>
occupations from my most impressionable years. How could I not help but be<\/div>
impressed[?]<\/div>
\u00a0<\/div>
After leaving the woolen mills, Mahonri studied for a time under JT Harwood<\/a>, a prominent Utah<\/div>
artist of the day, and worked as an illustrator for the local newspaper. He travelled to New York<\/div>
City, back to Salt Lake and then, as early as he could afford, across the Atlantic to Paris where he<\/div>
studied and rubbed shoulders with many prominent artists of the day. He would make repeated<\/div>
trips to France and view them as some of the most valuable years in his development as an<\/div>
artist. On three different occasions, he travelled to the desert southwest for the American<\/a><\/div>
Museum of Natural History<\/a> to document the Hopi, Navajo and Apache people. In all of his<\/div>
varied experiences, Mahonri<\/a> never tired of representing the working men and women that he had<\/div>
observed as a young child, whether they were farmers in the French countryside, sheepherders<\/div>
in the Navajo country or boxers<\/a> in New York City. He wanted to represent them truthfully,<\/div>
without artifice or unnecessary elaboration. As his skills developed and he matured as an artist<\/div>
he never abandoned this initial interest in the everyday. Consequently, there is a genuine, solid<\/div>
quality to Young\u2019s art, despite its diversity in both medium and place. The rounded, powerful<\/div>
forms have a grace and fluidity that give quiet beauty to Mahonri\u2019s work. Of his life and work he<\/div>
wrote,<\/div>
\u00a0<\/div>
The challenge to everyman\u2019s conscience is to choose for his life\u2019s work the thing he loves<\/div>
to do, and once he has decided upon a course, he must work conscientiously to learn all<\/div>
about it. There is in the heart of an ambitious, sincere man–to do well–that which in his<\/div>
honest opinion he knows to be right.<\/div>
\u00a0<\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Workmen<\/strong><\/p>

Watercolor<\/strong><\/p>

12″ X 14″<\/strong><\/p>

Signed – LR<\/strong><\/p>

Sold<\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Mahonri Young Pont Neuf 9.5″ X 11.5″ Etching Signed LR Mahonri Young The Last of the Old Grand Central 9.25″ X 12″ Etching Signed LR Mahonri Young Burro 12′ X …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"footnotes":""},"yoast_head":"\nMahonri Young - Moffett Fine Art 801-484-0125<\/title>\n<meta name=\"description\" content=\"Mahonri Young was an American artist. He was a sculpture, painter and etcher. 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